Yunqi Ma is a jewellery designer, who is still in the process of learning. She believes contemporary jewellery is a representation of emotional expression. When some strange ideas or some tiny moods are not clear enough to express in words, art can be a more appropriate way of expression. Her inspiration of the creation is usually from her daily life, showing some ignored periods or moments.

In Yunqi Ma's brooch series <Family>, she used the wood which is also the container of her childhood memory as the material to make up for the regrets of taking no family photos in the trip. She tried to use this collection to make up for the lack of emotions in the travel.

She wanted to convey that there are some things can be easily ignored between families, just as thinking it may not be necessary to take a picture together during the journey. However, things like this can become a small regret in the family's mind in the future. Some regrets cannot be retrieved, so she hopes that everyone could pay attention to the details of life, because the small things are more likely to be regrets.

馬韞祺是一位正在學(xué)習(xí)中的首飾設(shè)計師。當(dāng)代首飾對于馬韞祺來說是可以代表某種情感的表達。當(dāng)有些稀奇古怪的想法或者平時一些微小的情感用文字和語言表述不清時候，藝術(shù)可能是更合適的表達方式。她的創(chuàng)作靈感通常來自生活中的日?，嵤?。將容易被忽視的一些時期或者時刻重點表達出來。

在馬韞祺的<家庭>系列胸針中，她用承載著小時候記憶的木頭作為材料，試圖去彌補旅途中沒有家庭合照的遺憾。她試圖用這個系列去彌補旅途中情感的缺失。

馬韞祺想表達的是家庭之間會有些容易忽視的理所當(dāng)然，就好像旅途中也許不一定需要合照。但這可能也會成為未來家人心中的永遠的小遺憾。有些遺憾是無法填補的，所以馬韞祺希望大家都關(guān)注生活中一些細節(jié)，因為就是越細小的事情越有可能成為遺憾。